Composed for the 1709–10 Venice Carnevale season, the opera tells the story of Agrippina, the mother of Nero, as she plots the downfall of the Roman Emperor Claudiusand the installation of her son as emperor. Earn 125 points on every ticket you buy. She goes to Poppaea and tells her, falsely, that Otho has struck a bargain with Claudius whereby he, Otho, gains the throne but gives Poppaea to Claudius. [4], Handel then spent time in Rome, where the performance of opera was forbidden by Papal decree,[5] and in Naples. [54], In Agrippina the da capo aria is the musical form used to illustrate character in the context of the opera.
It was performed by Kent Opera with the conductor, Ivan Fischer, making his debut with the company and the orchestra playing on baroque instruments. Poppaea swears revenge ("Ingannata una sol volta", alternate aria "Pur punir chi m'ha ingannata") but is distracted when Nero comes forward and declares his love for her. The date of Agrippina's first performance, about which there was at one time some uncertainty, has been confirmed by a manuscript newsletter as 26 December 1709. [31][32], Agrippina proved extremely popular and established Handel's international reputation. Buy tickets for Agrippina live in the opera … Looking for movie tickets? Otho, as she intended, overhears her and fiercely protests his innocence. He applied himself to the composition of cantatas and oratorios; at that time there was little difference (apart from increasing length) between cantata, oratorio and opera, all based on the alternation of secco recitative and aria da capo. Agrippina, aware that Claudius also loves Poppaea, sees a new opportunity of furthering her ambitions for Nero. [20], Two of the main male roles, Nero and Narcissus, were written for castrati, the "superstars of their day" in Italian opera. [41] That same year it reached New York, with a concert performance at Alice Tully Hall, where the opera was described as a "genuine rarity". Three early manuscript copies, probably dating from 1710, are held in Vienna; one of these may have been a gift from Grimani to the future Emperor Charles VI. The index of Chrysander's edition (see below) lists the following numbers, excluding the secco recitatives. [11] It has been suggested that the comical, amatory character of the Emperor Claudius is a caricature of Pope Clement XI, to whom Grimani was politically opposed. [32] Its original run of 27 performances was extraordinary for that time.
Claudius believes her; nevertheless, when Poppaea, Otho, and Nero arrive, Claudius announces that Nero and Poppaea will marry, and that Otho shall have the throne. George Frideric Handel. [66] These copies, presumably based on the lost performing score, show further changes from the autograph. She hides Otho in her bedroom with instructions to listen carefully. Librettist.
Agrippina advises Poppaea to turn the tables on Otho by telling the Emperor that Otho has ordered her to refuse Claudius's attentions. Agrippina (HWV 6) is an opera seria in three acts by George Frideric Handel with a libretto by Cardinal Vincenzo Grimani. Variants from the libretto are also noted. [14] The overture, which is a French-style two-part work with a "thrilling" allegro,[15] and all but five of the vocal numbers, are based on earlier works, though subject in many cases to significant adaptation and reworking. She advises Claudius that he should end Otho's ambitions once and for all by abdicating in favour of Nero. [55] The first four arias of the work exemplify this: Nero's "Con raggio", in a minor key and with a descending figure on the key phrase "il trono ascenderò" ("I will ascend the throne") characterises him as weak and irresolute. Composer. [39] The historically informed performance movement inspired two period instrument productions of Agrippina in 1985 and 1991 respectively. [50] The 19th-century musical theorist Ebenezer Prout singles out Agrippina's "Non ho cor che per amarti" for special praise. [37] The Radio Audizioni Italiane produced a live radio broadcast of the opera on 25 October 1953, the opera's first presentation other than on stage. [21], The instrumentation for Handel's score follows closely that of all his early operas: two recorders, two oboes, two trumpets, three violins, two cellos, viola, timpani, contrabassoon and harpsichord. SEE DETAILS. She then claims that her efforts to secure the throne for Nero had all along been a ruse to safeguard the throne for Claudius ("Se vuoi pace").
Agrippina (HWV 6) is an opera seria in three acts by George Frideric Handel with a libretto by Cardinal Vincenzo Grimani. when you purchase 3 participating Suave products 9/1-10/31 at Walmart or Walmart.com. Performances of the work have become ever more common, with innovative stagings at the New York City Opera and the London Coliseum in 2007, and the Metropolitan Opera in 2020. Modern critical opinion is that Agrippina is Handel's first operatic masterpiece, full of freshness and musical invention which have made it one of the most popular operas of the ongoing Handel revival. Met titles In. Soon Nero arrives to press his love on her ("Coll'ardor del tuo bel core"), but she tricks him into hiding as well.
Italian ... {synopsisAct.actKey}} Email Signup. [48] Contrasts between the force of the libretto and the emotional colour of the actual music would develop into a constant feature of Handel's later London operas.[48]. Agrippina is an unscrupulous schemer; Nero, while not yet the monster he would become, is pampered and hypocritical; Claudius is pompous, complacent, and something of a buffoon, while Poppaea, the first of Handel's sex kittens, is also a liar and a flirt. Sung In. Agrippina. [17] The first music by Handel presented in London may have been Agrippina's "Non ho cor che", transposed into Alessandro Scarlatti's opera Pirro è Dimitrio which was performed in London on 6 December 1710. This is a production with so much on its mind, but so full of pop culture references that it can truly hit a … Claudius suddenly reappears and angrily dismisses the crestfallen Nero. [18] The Agrippina overture and other arias from the opera appeared in pasticcios performed in London between 1710 and 1714, with additional music provided by other composers. Some analysts believe that it reflects Grimani's political and diplomatic rivalry with Pope Clement XI. [43] This production then moved in 2002 to the New York City Opera, revived in 2007, and was described by The New York Times critic as "odd ... presented as broad satire, a Springtime for Hitler version of I, Claudius", although the musical performances were generally praised. Nero is unenthusiastic about this project, but consents to his mother's wishes ("Con saggio tuo consiglio"). Spanish. [13] This ... British public. [44] Joyce DiDonato has performed the title role in productions in London at The Royal Opera in 2019[46] and at the Metropolitan Opera New York in 2020,[47] among other venues.
[34] The Naples production included additional music by Francesco Mancini. [24] Agrippina, Handel's second Italian opera, was probably his last composition in Italy.[11]. Italian.
Met titles In.
Claudius departs in fury, while Agrippina cynically consoles Poppaea by declaring that their friendship will never be broken by deceit ("Non ho cor che per amarti"). This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to more than 2,200 theaters in more than 70 countries worldwide. [66], In about 1795 the British composer Samuel Arnold produced an edition based on early copies; this edition, while it contains errors and inaccuracies, has been called "probably a reasonable reflection of early performances".
[2] The opera was revised significantly before and possibly during its run. Pallas and Narcissus realize that Agrippina has tricked them into supporting Nero and decide to have no more to do with her. Review: The Met Opera Is Handel’s House in ‘Agrippina ... And, of course, Handel.
While in Rome, probably through Alessandro Scarlatti, Handel had become acquainted with Cardinal Grimani,[7] a distinguished diplomat who wrote libretti in his spare time, and acted as an unofficial theatrical agent for the Italian royal courts.
Grimani's libretto, considered one of the best that Handel set, is an "anti-heroic satirical comedy",[1] full of topical political allusions. In composing the opera Handel borrowed extensively from his earlier oratorios and cantatas, and from other composers including Reinhard Keiser, Arcangelo Corelli and Jean-Baptiste Lully. [57] In act 3, Nero's announcement that his passion is ended and that he will no longer bound by it (in "Come nube che fugge dal vento") is set to bitter-sweet music which suggests that he is deceiving himself. Composer. ... Met Opera Shop. The cast included Magda László in the title role and Mario Petri as Claudius, and the performance was conducted by Antonio Pedrotti. Poppaea believes Agrippina. Rack up 500 points and you'll score a $5 reward for more movies. [16] Later, some of Agrippina's music was used by Handel in his London operas Rinaldo (1711) and the 1732 version of Acis and Galatea, in each case with little or no change. Observers praised the quality of the music—much of which, in keeping with the contemporary custom, had been borrowed and adapted from other works, including the works of other composers. Agrippina's aria "Non ho cor che per amarti" was taken, almost entirely unchanged, from "Se la morte non vorrà" in Handel's earlier dramatic cantata Qual ti reveggio, oh Dio (1707); Narcissus's "Spererò" is an adaptation of "Sai perchè" from another 1707 cantata, Clori, Tirsi e Fileno; and parts of Nero's aria in act 3, "Come nube che fugge dal vento", are borrowed Handel's oratorio Il trionfo del tempo (all from 1707). [31] Handel's biographer John Mainwaring wrote of the first performance: "The theatre at almost every pause resounded with shouts of Viva il caro Sassone! This production ran: Feb 6 - Mar 7. Screen Reader Users: To optimize your experience with your screen reading software, please use our Flixster.com website, which has the same tickets as our Fandango.com and MovieTickets.com websites. Both were in Germany, the first was in the Schlosstheater Schwetzingen, the other at the Göttingen International Handel Festival.[8]. ('Long live the beloved Saxon!') [35] In the later 18th, and throughout the 19th centuries, Handel's operas fell into obscurity, and none were staged between 1754 and 1920. Handel, George Frideric; and Vincenzo Grimani (1950). 2020 Toronto International Film Festival Preview, What to Watch on FandangoNOW: ‘John Lewis: Good Trouble,’ ‘The Comey Rule,’ ‘2067’ and More, This Week in Movie News: Jamie Foxx to Return as ‘Spider-Man’ Villain, Oscar Isaac to Play ‘Godfather’ Director Francis Ford Coppola and More. In 1983 the opera returned to Venice, for a performance under Christopher Hogwood at the Teatro Malibran. Grimani's libretto, considered one of the best that Handel set, is an "anti-heroic satirical comedy", full of topical political allusions. Sign up for a FANALERT® and be the first to know when tickets and other exclusives are available in your area.
[53] The freedmen Pallas and Narcissus are self-serving and salacious.
Or at least it was, until “Agrippina” opened on Thursday, Feb. 6, 2020, giving Met audiences what is without any doubt, the intellectual pop hit of the 2019-20 season. To prove her point she asks Claudius to pretend to leave, then she summons Nero who, thinking Claudius has gone, resumes his passionate wooing of Poppaea. The B flat fugue G 37 appears as an act II overture along with other instrumental music.
Get your swag on with discounted movies to stream at home, exclusive movie gear, access to advanced screenings and discounts galore. On hearing that her husband, the Emperor Claudius, has died in a storm at sea, Agrippina plots to secure the throne for Nero, her son by a previous marriage. Hicks, Anthony (August 1982). [10] Grimani intended to present this opera at his family-owned theatre in Venice, the Teatro San Giovanni Grisostomo, as part of the 1709–10 Carnevale season.
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