Contact us; Accessibility statement; In their list of London's Most Influential People, the Evening Standard wrote that "Riggall has pioneered a whole new genre". Have you ever thought about distributing films yourself?In terms of the traditional distribution model, no. [12][13][14][15], In September 2015, Fabien set up #loverefugees, a movement to raise awareness of the plight of refugees globally.
Show all posts. But films are being released and the cinemas are empty. He claims that 'Digital culture has, in some part, disconnected us from our ability to listen, feel and touch. The number of people who have attended Secret Cinema for our Blade Runner and Romeo + Juliet events is around the same as the number of people who go to Glastonbury. Say I’m a producer and I have a film that I believe is perfect for Secret Cinema: when should I approach you?My situation is that I’m setting up a production company, developing films and working on new kinds of movies. Fabien insists that Secret Cinema is a socially conscious organisation that supports different ongoing debates; he expressed his solidarity towards the shortfall in Junior doctors' employment rate, as he created a whole world around the horror movie 28 days later. Check out the lineup of new movies and shows streaming on Netflix this month, including The Trial of the Chicago 7. It’s gone up from 5,000 to 10,000, then 20,000, and now 60,000, which is bigger than most music festivals. Fabien Riggall on closing the distance between digital consumers. FABIEN RIGGALL: I think the future of film, music, art, and TV are all coming together as one. Riggall has founded the belief that art can change society and tell truth in a way that cuts through the noise of media and politics as he says that 'the difference between art and entertainment is that art is about changing the world (...) It has a responsibility'. There is something about making them fun for audiences. LinkedIn is the world's largest business network, helping professionals like Fabien Riggall discover inside connections to recommended job candidates, industry experts, and business partners. [2][3], Fabien's ambitions are to establish immersive cinema as a mainstream entertainment format in the UK. The company aims to create multi-dimensional environments where audiences experience a film in purpose-built sets, combining art, music, literature, and film in re-imagined, abandoned spaces. Riggall counters that his productions are comparable to West End theatre shows, rather than any other Cinema in London, and therefore so is the ticket price. Audiences are asked to arrive as fully formed charactersÑdressed in costumes and equipped with backstoriesÑfor secret screenings that take place in locations designed to emulate the set of each film.
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