Personal recommendations? The Come On (1956) A Poverty Row Fish Story Director: Russell Birdwell (The Girl in the Kremlin (1957)), written by Whitman Chambers (novel & screenplay) Warren Douglas (screenplay). Just got done reading it at your behest, and it kicked ass.
The second is Detour (1945), directed by Edgar G. Ulmer. I second Detour and Gun Crazy and also highly recommend Kansas City Confidential. Another truly “lost noir” rarity is brought back to life through the efforts of the Thursday Night Screenings. (1947), a first-rate noir thriller directed by Anthony Mann, who would later become one of Hollywood’s most respected director of films noir and westerns. On Hollywood's 'Poverty Row' in the 1940s and 50s, minor studios made B-movies on tiny budgets. This class is not available at this time. Feel free to post reviews, links to articles and public domain video, material concerning hard-boiled crime fiction and related subjects. But I realized that most of my noir knowledge comes from the A pictures from big studios. Film Noir: A Trip Down Poverty Row! Some of the 4.5's I've liked better than some of the 5's, but it think it's a great list. PRC , Monogram , Grand National , Chesterfield , Screen Guild not counting some of the late 40s / 50s films by small independents . But I realized that most of my noir knowledge comes from the A pictures from big studios. I've seen D.O.A., some early Anthony Mann, and maybe a couple of others. "M" is great, so is Metropolis. In 2010 he received the Marlon Riggs Award from the San Francisco Film Critics Circle "for his revival of rare archival titles and his role in the renewed popularity of film noir." filmsnoir.net has a top 25, but also an essentials list that has a 5 stars noir and 4.5 stars noir sections.
Some of my Favorites are: Stranger on the third floor, Gun Crazy, The Dark Mirror. A subreddit dedicated to film noir and neo noir films, and hard-boiled crime fiction. Elliot Lavine programmed films for the Roxie Theatre in San Francisco from 1990 - 2014, including his annual "I Wake Up Dreaming" film noir film festivals which moved to the Castro in 2015. The site may not work properly if you don't, If you do not update your browser, we suggest you visit, Press J to jump to the feed.
Taxi Driver (1976) New York Neo Noir Masterpiece, The Come On (1956) A Poverty Row Fish Story. I've only seen a few poverty row noirs... can somebody walk me through what I should be watching next? See also Pine / Thomas productions , technically Paramount movies , but shot like poverty row films . I like the essentials list because they aren't ranked in an order, just great suggestions. You might be interested in a book called Death On The Cheap:The Lost B Movies Of Film Noir by Arthur Lyons. So I want to be an actual film noir fan, but TheyShootPictures just gives you a list of a thousand... What are some good jumping off points? Directors, specific movies, studios? This year he relocated to the Pacific Northwest but returns periodically to the Bay Area where he continues to offer film studies classes both for Stanford and OLLI. The first is Railroaded! • CBC Productions (later to become Columbia Pictures), founded by Harry Cohn, was considered a Poverty Row studio from 1919 until its reorganization in 1924. ARTHUR LYONS : author of ‘DEATH ON THE CHEAP: The Lost B Movies of Film Noir’ Nobody knows the Poverty Row Studios better than author Arthur Lyons, whose paperback on the subject has become something of a sensation. The eternally fascinating world of low-budget Hollywood filmmaking will be the focus, featuring a pair of classic “B” film noirs from the 1940s! Now I've got mine more books on my list. showcases a pair of films produced on “poverty row,” a term applied to those threadbare Hollywood studios dedicated to “B” pictures exclusively. Sets up the dynamic so well, and takes its time letting all the cards fall into place. It's Noirsville, a visually oriented blog celebrating the vast and varied sources of inspiration, all of the resulting output, and all of the creative reflections back, of a particular style/tool of film making used in certain film/plot sequences or for a films entirety that conveyed claustrophobia, alienation, obsession, and events spiraling out of control, that came to fruition in the roughly the period of the last two and a half decades of B&W film. Just watched kcc... Whoo baby. http://filmsnoir.net/essential-films-noir/. Both the director and the film have entered the world of permanent cult status.
I found a pdf of it here. Fritz Lang makes great non-american noir style movies as well.
Also features non-American noirs (and labeled as such). The film was shot in six days and in theatres a mere month after its production began! It's pretty good and gives you so many noirs that aren't well known. The films were largely forgettable, but occasionally a film emerged from the rubble that broke through and ultimately made their way to cult status. Any advice? New comments cannot be posted and votes cannot be cast. Looks like you're using new Reddit on an old browser. Websites or lists I can visit? showcases a pair of films produced on “poverty row,” a term applied to those threadbare Hollywood studios dedicated to “B” pictures exclusively. Thank you so much for that. But man, kcc is terrific.
Elliot Lavine Press question mark to learn the rest of the keyboard shortcuts. Elliot Lavine The eternally fascinating world of low-budget Hollywood filmmaking will be the focus, featuring a pair of classic “B” film noirs from the 1940s! Reminded me a lot of key largo, and I wish I'd actually gotten to know the hotel as much as we do in KL. A Poverty Row script might be pretty good, especially if it was a knockoff of a bigger movie, a news story, or a book to which the producers had no intention of buying the rights. I'd really like to use your experience to my advantage, and and avoid having to see a couple hundred, uh, you know, not great ones, in order to see fifteen good ones. RKO pictures has a good catalog, although they are considered to be one of the big 5 productions companies, but during the late 40s and early 50s they heavily relied upon their B-movies (noirs) to fund their A-movies. I've seen D.O.A., some early Anthony Mann, and maybe a couple of others.
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