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There’s no piece of music like Thomas Tallis’ Spem in alium. Jeremy Summerly, さらに、映画もTV番組も見放題。200万曲が聴き放題 Finestra di restituzione estesa al 31 Gennaio 2021 durante le festività. Visualizza i Top 100 nella categoria CD e Vinili, Visualizza o modifica la cronologia di navigazione, Pubblicità definita in base agli interessi.
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Riprova. Some of the works are accompanied by instruments–cornetts, sackbutts, viols–and the effect is always to the benefit of the music, surrounding and enhancing the voices with colors both bright and rich. And who would complain about hearing this magnificent work again? Number of voices: 40vv Voicing: 8 choirs × SATBarB Genre: Sacred, Motet. Indica il punto di ritiro in cui vuoi ricevere il tuo ordine nella pagina di conferma d’ordine, Visualizza tutti i 3 formati e le edizioni, Se vuoi restituire un prodotto entro 30 giorni dal ricevimento perché hai cambiato idea, consulta la nostra pagina d'aiuto sul. Dopo aver visualizzato le pagine di dettaglio del prodotto, guarda qui per trovare un modo facile per tornare alle pagine che ti interessano. Il nostro sistema considera elementi quali la recente recensione e se il revisore ha acquistato l'articolo su Amazon. Al momento, è presente un problema nel caricamento di questo menu. Per calcolare la valutazione complessiva in stelle e la ripartizione percentuale per stella, non usiamo una media semplice. Utilizziamo cookie e altre tecnologie simili per migliorare la tua esperienza di acquisto, per fornire i nostri servizi, per capire come i nostri clienti li utilizzano in modo da poterli migliorare e per visualizzare annunci pubblicitari.
Spem in alium (Latin for "Hope in any other") is a 40-part Renaissance motet by Thomas Tallis, composed in c. 1570 for eight choirs of five voices each. Thomas Tallis, Gentleman of King Henry the Eyghts Chapel, King Edward, Queen Mary & of her Maiesties that now is, Queen Elizabeth, the maker of this Song of fourty parts.” which suggests the earlier Egerton MS was copied from a manuscript dating to ... Spem in alium nunquam habui Thomas Tallis Zusammen verfügen Terry Wey und Ulfried Staber über einen Stimmumfang von dreieinhalb Oktaven: jeder Sänger übernimmt jeweils zwei der fünf Stimmen jedes Chores, die mittlere Stimme teilen die beiden untereinander auf. I clienti Prime beneficiano di consegne illimitate presso i punti di ritiro senza costi aggiuntivi. Wie ein gigantisches Renaissance-puzzle erschließt sich so die Motette dem Zuhörer Stimme für Stimme, bis mit dem Glockenschlag zu Mitternacht das vollendete vierzigstimmige Werk erklingen soll.
First published: 1570
Title: Spem in alium nunquam habui Composer: Thomas Tallis.
The disc’s subtitle, “Music for Monarchs and Magnates”, sets the rationale for selections that highlight mostly larger-scale motets and anthems (and a sublime Te Deum by Tallis) composed for special, royal occasions, sometimes containing a not-too-subtle political commentary in their carefully-chosen Biblical texts. Thomas Tallis’ 40-voice motet Spem in alium (scored for eight five-part choirs) was composed some 400 years before the modern age of recordings, and perhaps it’s a work that’s best left for the experience of live performance. Best in surround sound. God grant we grace (the Tallis Canon): God grant we grace (the Tallis Canon), Spem in Alium (Pro Cantione augmented): Spem in Alium (Pro Cantione augmented), Hear the voice and prayer of Thy servant: Hear the voice and prayer of Thy servant, If ye love me, keep My commandments: If ye love me, keep My commandments, O Lord, give Thy Holy Spirit: O Lord, give Thy Holy Spirit, Lamentations of Jeremiah (Part I): Lamentations of Jeremiah (Part I), Lamentations of Jeremiah (Part II): Lamentations of Jeremiah (Part II), Te Lucis Ante Terminum: Te Lucis Ante Terminum, Condizioni Generali d'Uso dello Store Musica Digitale Amazon e del Servizio Libreria Musicale Amazon, Visualizza o modifica la cronologia di navigazione, Pubblicità definita in base agli interessi. Das Resultat ist frappierend: eine weitestgehende stimmliche Homogenität, die bei chorischen Aufführungen schlicht nicht realisierbar ist. Dopo aver visualizzato le pagine di dettaglio del prodotto, guarda qui per trovare un modo facile per tornare alle pagine che ti interessano. Zwischen dem ersten Ton der ersten Stimme um 16.00 Uhr und der prachtvollen Vierzigstimmigkeit um 24.00 Uhr machen sich Terry Wey und Ulfried Staber jede einzelne Note dieser monumentalen Konstruktion zu eigen. © 2010-2020, Amazon.com, Inc. o società affiliate. Absolutely magnificent. Since this is not a work that delivers sound from a relatively focused source–it literally comes from all directions–a surround-sound SACD recording makes a lot of sense, and even though this review is based on listening to this “hybrid” on a standard CD player (the SACD-system review will follow), there’s no question that the engineering and mastering techniques used were expertly done to maximize the music’s strengths–and delivering it with more clarity and wide-ranging dynamic impact than ever before. But if you’re going to record it, you might as well use whatever technical means are at your disposal to reproduce the wide vocal range, sonic depth, and pure physical sensation engendered by this huge concentration of vocal forces, which in the tutti passages is sort of like the choral equivalent of an all-stops-out cathedral organ. Die 40stimmige Motette „spem in alium“ von Thomas Tallis (ca. 1505-1585) gehört ohne Frage zu den beeindruckendsten Kompositionen der Musikgeschichte, gleichzeitig aber auch zu den am schwierigsten aufführbaren: 40 Sänger, deren Stimmen sich in idealem Verhältnis zueinander mischen und zu einem großen Klanggebilde verschmelzen, existieren vielleicht gar nicht. Il nostro sistema di protezione dei pagamenti crittografa i tuoi dati durante la trasmissione. Articoli visualizzati di recente e suggerimenti in primo piano, Seleziona la categoria in cui desideri effettuare la ricerca, Effettuando l'ordine di acquisto, accetti le, Recensito negli Stati Uniti il 12 luglio 2010. Die Aufführung von „spem in alium“ mit nur zwei Sängern bildet mit Anbruch eines neuen Tages den glanzvollen Abschluss des vorangegangenen. Recorded nearly 20(!) To be honest , I was only really interested in this cd for the Spem in Alium . Language: Latin Instruments: A capella, but may be accompanied by an organ thorough bass ad libitum. (My only complaint: Coro continues its user-unfriendly practice of providing a straight track listing only on the outside of the CD box.)
Il nostro sistema considera elementi quali la recente recensione e se il revisore ha acquistato l'articolo su Amazon. Ascolta senza pubblicità oppure acquista CD e MP3 adesso su Amazon.it. Perhaps it has to do with the desire to be rebellious, or to attain a certain level of... Continue Reading, One approaches a CD of arias by a soprano with something akin to trepidation as soon as one spots that the opening and closing arias are from Madama Butterfly. Questo articolo non è disponibile in, Tallis: Spem in Alium; the Lamentations of Jeremiah, Scegli tra gli oltre 8.500 punti di ritiro in Italia. However, this new release from Coro goes even further in bringing us closer to the live experience and manages (remarkably) to capture even more interior detail of the massed vocal forces. Years ago, this was the first version of the work I had ever heard and was utterly overwhelmed by it . Anche terzi autorizzati utilizzano queste tecnologie in relazione alla nostra visualizzazione di annunci pubblicitari. The disc closes with yet another performance of Spem in alium, this time in its English-text setting, “Sing and glorify”.
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